Exhibition description

Mapping the Intangible brings together the works of Hounyeh Kim, Stephanie Krumbholz, Pinelopi Vasilaki, and Lonni Wong. Four artists of international background working in painting, printmaking, drawing, and sculpture. Kim’s prints explore space as both density and absence, evoking immersive zones of silence and disorientation. Krumbholz’s abstract paintings construct an open framework of rhythm and boundaries, guided by an internal compositional logic. Vasilaki’s colored-pencil works articulate psychological states through repetition, meticulous mark-making, and carefully curated chromatic relationships. Wong’s sculptures investigate the duality of surface and interior, tension and weight, form and bodily abstraction.

Artist statement

The exhibition does not arise from a desire to group similar aesthetics, but from the recognition of something more subtle: a shared investment in slow processes, tactile sensitivity, and the generative space between clarity and ambiguity. Each artist engages with a form of mapping—of perception, tension, and invisible systems that resist fixed interpretation. Together, these works listen to one another rather than assert themselves. They create a calibrated sensory field in which attention shifts between porous surface and grounded volume, between delicate variation and structural weight. The result is not merely contrast, but a shared material language of restraint, presence, and precision—layers of subtle decisions that reinforce one another.

Mapping the Intangible is not only a metaphor but an enacted practice within the exhibition. It is a collective exploration of how physical form can hold the ephemeral—how time, touch, and attention become coordinates within a space navigated not with certainty, but with attentiveness.